VR 舞蹈體驗
VR Dance Experience

《See Through》

15 mins

4/20，12:00-19:00

4/21，12:00-17:30

L 龍山文創基地－Str. ACD

　Longshan Culture & Creative Base - Str. ACD

創作背景 Background

以色列因戰爭的侵擾，使得藝術活動被迫停止，藝術家們融合VR技術與舞蹈結合，將舞蹈帶入當地醫院及學校，藝術讓世界看到他們的聲音，也為戰火而停擺的藝術注入新的生命。

Due to the disruptions of war in Israel, artistic activities were forced to halt. Artists combined VR technology with dance, bringing dance into local hospitals and schools. Art allowed the world to hear their voices and injected new life into the art halted by the conflict.

節目介紹 Program Introduction

一場結合虛擬實境的舞蹈和聲音的創作，舞者試圖在遙遠的星球上溝通，然而在觀者與舞者之間，被困在一個不斷重複迴圈中。有時角色掌控局面，有時則屈從，直到其中一人打破規則，從虛擬世界走出現實世界。
這是耶路撒冷MASH Dance House 首次以虛擬實境形式創作，搭配其原創音樂，將參與者包圍在360度的無邊際空間內。一起踏上融合舞蹈和聲音的迷人之作，將我們帶入一個不受時空限制的世界。在這裡，兩個角色努力解開他們下一步動作的謎團。

Virtual reality experience. A dance and sound creation that draws us into a timeless space where two characters try to crack their next move.
The couple is trying to communicate on a distant star, stuck in a loop where it repeats familiar patterns for both them and us. Sometimes the characters are on the upper hand, and sometimes they are submissive, until one of them breaks the rules and exits from the virtual world to the realistic world. One draws a weapon, and from here, anything can happen.
This is the first creation of MASH Dance House in Jerusalem, specially produced for the 360-degree virtual dimension alongside the original music that also surrounds us.
Embark on a captivating virtual reality experience — a mesmerizing fusion of dance and sound that transports us into a timeless realm. Here, two characters endeavor to unravel the mystery of their next move.

使用提醒 Usage Reminder

為獲得舒適的虛擬實境體驗，在下列情況下不要使用頭戴式顯示器包括：疲勞、睡眠不足、受酒精或藥物影響、精神緊張或焦慮、患有感冒、流感、頭痛、偏頭痛或耳痛等。前述情況下使用頭戴式顯示器，可能加重您不適的症狀。

For a comfortable virtual reality experience, do not use a head-mounted display in the following conditions: fatigue, lack of sleep, under the influence of alcohol or drugs, mental stress or anxiety, suffering from colds, flu, headaches, migraines, or earaches. Using a head-mounted display under the aforementioned conditions may exacerbate your discomfort symptoms.

MASH Dance House Production

製作團隊 Production Team

概念與編舞 Concept and Choreography：Ofra Idel
XR藝術家與視覺特效導演 XR Artist and VFX Director：Itay Ben Yosef
舞者與共同創作者 Dancers & Co-Creators：Itamar Galina、Yulia Mejetskaya
VR導演與藝術指導 VR Director and Artistic Guidance：Ruby Edelman
視覺特效團隊 VFX Team：Royi Rozen、Yarin Didi、Ariel Ben Yosef、Yonatan Ohana、Dor Nahir
原創音樂與音樂編輯Original Music and Music Editing：Itay Tamarov
藝術顧問 Artistic Consultant：Rachel Erdos
服裝 Costumes：Yasmin Steinmetz

主辦單位 Organizer：曉劇場 Shinehouse Theatre

技術合作 Technical Cooperation：財團法人資訊工業策進會 Institute for Information Industry

場地協力 Venue Cooperation：臺灣街頭藝術文化發展協會 Str. ACD

工作坊
WORKSHOPS

情感之軀

The Emotional Body

4/17，14:00-16:00

J 龍山文創基地－曉黑箱

　Longshan Culture & Creative Base -

　Black Box of Shinehouse Theatre

Anne-Mareike Hess透過這個工作坊向參與者介紹她的藝術作品和對於身體工作的方法。從身體是我們社會的一面鏡子這個前提出發，參與者將探索動作、感覺和情感之間的聯繫。這個工作坊被設計成一次長時間的身體之旅，致力於熱身整個身體、找到骨架支撐，特別專注於開放感官，讓自己對於不斷透過感官湧入我們身體的所有訊息變得敏感。受啟發於體感練習、解剖學和當下性工作，我們使用即興和想像力讓整個身體 - 包括臉部 - 都動起來。

我的主要焦點在於身體與其轉化的潛力；身體在社會中的地位和狀態，與在舞台上的呈現、表現和感受。我的工作以精確的動作語言為特色，具體化和實現與當代相關的身份問題和主題，並與觀眾分享。多年來，我發展了一個稱為“情感之軀”的動作實踐，在這個實踐中，我使用想像力和感官工作將整個身體 - 包括臉部 - 放入加強的身體和情感狀態中，並以創作滲透身體，讓其中每一種情感、每一種心情和氛圍都變得可見。例如，“Tanzwut”（2014）、“Synchronization in process”（2016）和“"Give me a reason to feel”（2017）都是基於這種實踐。自2018年以來，我一直將我的藝術工作集中在(去)建構性別刻板印象和身體作為父權慾望和觀念的投影表面，這些工作至今已經衍生出了“Warrior”（2018）和“Dreamer”（2021）以及三重奏“Weaver”（2023）等獨舞作品。

Anne-Mareike Hess offers the participants with this workshop an introduction into her artistic work and approach to working with the body. Starting from the premise that the body is a mirror of our society, the participants will explore the connection between movement, sensation and emotion.
The workshop is structured like one long physical journey, devoted to warming up the whole body, finding skeletal support and particularly focusing on opening the senses and becoming sensible for all the information that is constantly flooding into our bodies through our senses. Inspired by somatic practices, anatomy and presence work, we are using improvisation and imagination to put the whole body - including the face - in motion.

Her main focus lies on the body and its inherent potential for transformation; Its status and exposure in society, as well as its presentation, representation and perception on-stage. Her work is characterized by precise movement language, embodying and materializing identity questions and themes relevant to our times and sharing them with an audience.
Throughout the years, she has developed a movement practice, which she calls “the emotional body”, where she uses a combination of imagination and sensory work to put the whole body - including the face - into heightened physical and emotional states in order to create permeable bodies in which every emotion, every mood and atmosphere becomes visible. Works like "Tanzwut" (2014), "Synchronization in process" (2016) and "Give me a reason to feel" (2017) are based on this practice. Since 2018 she has been focusing her artistic work around the (de)construction of gender stereotypes and the body as a projection surface for patriarchal desires and ideas, which so far has led to the solos “Warrior” (2018) and “Dreamer” (2021) and the trio “Weaver” (2023).

Anne-Mareike Hess（德國 / 盧森堡）
編舞家、表演者，也是獨立機構utopic productions的藝術總監。
她的作品曾在歐洲多個場館和藝術節演出，包括：《 I believe that we are having a dialogue》 (2012)，《Tanzwut》(2014) 和《Synchronization in process》(2016) 和《Give me a reason to feel》 (2017)。
2018年她的長篇獨舞《Warrior》首演（並入選AEROWAVES Twenty20），隨後在2021年推出了獨舞《Dreamer》，2023年三人舞《Weaver》。Anne-Mareike與TROIS C-L（盧森堡）、Dock11（德國）和Skoge（瑞典）密切合作；自2016年起，她擔任瑞典Weld的合作藝術家。2017年至2019年期間，Anne-Mareike得到了Grand Luxe network的支持；2020年至2023年期間，她是盧森堡Neimënster的合作藝術家。
在此之前，她曾榮獲新興藝術家獎「Stiftung zur Förderung junger Talente」（2012年）和盧森堡文化部頒發的「Danzpraïs」獎（2015年）。
自2007年以來，Anne-Mareike以表演者的身份和William Forsythe、Eeva Muilu、Rosalind Goldberg、Ingri Fiksdal、Heinrich Horwitz和Antje Velsinger等編舞家合作，並在世界各地的場館演出。Anne-Mareike 曾就讀於盧森堡the Conservatory和 TROIS C-L、德國法蘭克福 HfMDK 和柏林 HZT 舞蹈中心。

Anne-Mareike Hess (DE/LUX) works as a choreographer, performer and artistic director of the independent structure utopic productions.
Her works have been shown at numerous venues and festivals throughout Europe. This includes a.o.: I believe that we are having a dialogue (2012), Tanzwut (2014) and Synchronization in process (2016) and Give me a reason to feel (2017).
In 2018 she premiered her first evening-long solo Warrior (selected by AEROWAVES Twenty20), followed by the solo Dreamer in 2021 and the trio Weaver in 2023.
Anne-Mareike works in close collaboration with TROIS C-L (LUX), Dock11 (DE) and Skoge (SE); and since 2016 she is an associate artist at Weld (SE). Between 2017-2019 Anne-Mareike was supported by the Grand Luxe network; and between 2020-2023 she was associate artist at Neimënster (LUX).
Previously, she was awarded with the emerging artists prize “Stiftung zur Förderung junger Talente” (2012) and the “Danzpraïs” (2015) from the Ministry of Culture in Luxembourg.
Since 2007 Anne-Mareike has worked as a performer with choreographers such as William Forsythe, Eeva Muilu, Rosalind Goldberg, Ingri Fiksdal, Heinrich Horwitz and Antje Velsinger, with which she has performed in venues around the world.
Anne-Mareike was educated at the Conservatory and at TROIS C-L in Luxembourg, the HfMDK in Frankfurt/Main and at HZT Inter-University Center for Dance in Berlin.

Hyperspace

4/17，19:00-21:00

J 龍山文創基地－曉黑箱

　Longshan Culture & Creative Base -

　Black Box of Shinehouse Theatre

在這個工作坊中，James Batchelor將分享一些他在表演《Hyperspace》背後的練習和想法。工作坊以James分享他在南極之旅中獨特的經歷開始，以及他如何開發一套利用自己的身體來映射船舶環境的系統。接下來是James在《Hyperspace》中表演的即興練習介紹，這涉及到進入微觀細節的身體探索運動。

In this workshop James Batchelor will share some of the practices and ideas behind the performance Hyperspace. The workshop begins with James sharing his unique experience on the Antarctic voyage and how he developed a system of mapping the environment of the ship with his body. This will be followed by the introduction to an improvisation practice that James performs in Hyperspace, which involves diving into the body in micro-detail with gentle exploratory movements.

The workshop is open to anybody who has a curiosity about the body and wants to move - it’s not just for trained dancers. The workshop is also suitable for participants with reduced mobility and other access needs.

James Batchelor是一位來自恩古納瓦爾 (Ngunnawal) 地區（坎培拉）的編舞家，在歐洲和澳洲之間工作。

在James的作品中，循環的重複、崩塌和延展，以及微妙的節奏操縱，給人一種時間以不同速度移動的印象。觀眾被邀請一起放慢腳步，進入使用敏感的感官來探索的狀態。
整體演出體驗像是集體冥想，在一個無形的架構被揭示出來後，為觀眾提供了一個建立新聯繫、放入自己觀點的框架。他的作品包括《Deepspace》、《Hyperspace》和《Shortcuts to Familiar Places》，曾在Tanz im August（柏林）、Impulstanz（維也納）和Center Pompidou（巴黎）等地巡迴演出。他也致力於與各個年齡層和能力的人進行專門的教學實踐。在James的作品中，循環的重複、崩塌和延展，以及微妙的節奏操縱，給人一種時間以不同速度移動的印象。觀眾被邀請一起放慢腳步，進入使用敏感的感官來探索的狀態。
整體演出體驗像是集體冥想，在一個無形的架構被揭示出來後，為觀眾提供了一個建立新聯繫、放入自己觀點的框架。他的作品包括《Deepspace》、《Hyperspace》和《Shortcuts to Familiar Places》，曾在Tanz im August（柏林）、Impulstanz（維也納）和Center Pompidou（巴黎）等地巡迴演出。他也致力於與各個年齡層和能力的人進行專門的教學實踐。

James Batchelor is a choreographer from Ngunnawal country (Canberra), working between Europe and Australia. Cycling repetitions, collapsing and expanding scale, and subtle rhythmic manipulation contribute to a sense that time is moving at a different pace in James’ work. The audience is invited to slow down together and be guided into a state of sensorial sensitivity and discovery. The overall experience is one of collective meditation, where an invisible architecture is revealed to provide a framework for making new connections and parallels to the audience’s own points of reference. His body of work—including Deepspace, Hyperspace and Shortcuts to Familiar Places—has toured extensively to contexts such as Tanz im August (Berlin), Impulstanz (Vienna) and Centre Pompidou (Paris). He also has a dedicated teaching practice working with people of various ages and abilities.

我與我的身體對話

Me and My Body

4/18，14:00-15:30

J 龍山文創基地－曉黑箱

　Longshan Culture & Creative Base -

　Black Box of Shinehouse Theatre

從身體開始，我們意識肌肉，以呼吸為介質橋接情緒和肉體的相互連結。讓我們以一同透過身體的練習，開啟身體的流動能量，這一次，希望能邀請女性，讓我們談身體、聊身體、認識身體，挖掘並意識存於內在原有的陰性能量。

Starting from our own body, we first sense the existence of our muscles, then use breathing as the bridge to connect our emotions and flash. Through various movement activities, we will gradually switch on the energy flow in our body. The workshop welcomes biologically females, like me, to join and to talk about our body, to get to know more about our body, and to dig deeper then to raise our awareness of feminine power inside of us.

李尹櫻（臺灣）
微光製造核心成員，擔任舞團作品主要舞者。策劃「到處跳舞」素人計畫，帶領民眾從感知身體開始，探索肢體與意識的銜接，創造身體使用的更多可能性。

2023年獲ACC亞洲文化協會支持至日本參訪；2021年演出團隊作品《捺撇》獲橫濱編舞大賽三獎項；2019年獲國家文化藝術基金會海外藝遊專案補助至日本東京學習舞踏；2009-2019任雲門2專職舞者。
近期演出：微光製造《捺撇》《見我》《並肩》《半島來跳舞》《茉莉》《社交距離＿直到世界末了》《馴順的我們》、雲門2《毛月亮》《十三聲》《來》《一個藍色的地方》《斷章》《屬輩》《流魚》、廣藝劇場NO.6《與清醒夢》跨界劇場等作品。
影像演出：衛武營國家文化中心駱思維《沖流》、臺中國家歌劇院微光製造「玩·劇場PLAY：這不是你想像的現代舞教學」、無用之地周書毅《回溯時間的地方》、桑布伊 MV拍攝《擁抱 maava》、NTT-TIFA 驫舞劇場《看見你的自由步》等作品。

LEE Yin-ying

LEE is the co-founder of Shimmering Production. She is the original cast for the Company’s award-winning work "Beings" and has since performed the dance piece on international stages in Germany and Greece (2022-23), Japan (2023), Spain and Portugal (2024). She was a professional dancer at Cloud Gate 2 from 2009 to 2019, and toured internationally with the Company at the Joyce Theater, New York City Center, Sadler's Wells Theatre, Esplanade - Theatres on the Bay, International Tanzmesse NRW Duesseldorf, etc. Aside from live dance performances, LEE continues to explore various possibilities including cross-border video shooting, dramatic body action design, and sharing of physical skills with more professional dancers and non-professional ordinary people. LEE curates Shimmering Production’s body movement projects for the public, leading the public to realize and explore the existence of the body, to perceive the connection between emotions and the body, and to create more possibilities for the body. In 2019, LEE Yin-Ying received a grant from the National Culture and Art Foundation's Overseas Arts Travel project to study Butoh in Tokyo, Japan. In 2023, with the support of the Asian Cultural Council, LEE conducted an Individual Fellowship to study Noh theater in Japan.

節奏探索：
跳繩舞蹈工作坊

Listening to Jump Rope

4/18，19:00-21:00

J 龍山文創基地－曉黑箱

　Longshan Culture & Creative Base -

　Black Box of Shinehouse Theatre

來自義大利的資深藝術家Parini Secondo受到Instagram和TikTok上跳繩序列的啟發，以及國際知名跳繩者如Lauren Jump和Coach Chris的實踐，Parini邀請參與者通過利用跳繩發出的聲音和一些聲音元素來創作節奏並創作音樂。我們能用這些原本非樂器的物品，來創作我們最喜歡的音樂嗎？計劃的練習包括在坐姿下進行的聆聽練習。

Brief description of the proposed practice:
Parini Secondo proposes a choreography workshop based on jumping rope. Inspired by jump-rope sequences encountered on Instagram and TikTok and practiced by internationally renowned jumpers such as Lauren Jump, Coach Chris, and the Italian jump-rope team Marc Rope, Parini invites participants to compose rhythms and create music by exploiting only the sound produced by the rope, supported by some vocal elements. Can we compose with these few instruments, the music we like best?

Parini Secondo成立於2017年，由Sissj Bassani（1997年出生於切塞納）和Martina Piazzi（1997年出生於波隆那）所構想，成員包含舞者Camilla Neri和Francesca Pizzagalli。 Parini Secondo的藝術家們致力於以多變的方式來探討動作，持續質疑作者身份和潮流主義的界限。該團體在社會生態和現成行為中，透過教學影片或網路上其他內容來吸收學習，並使用和混合其他人在線已存在的想法和編舞。Parini 充分的利用以及支持開源和 DIY [自己動手] 的所含有的道德以及背後的美學潛力。
自2019年以來，此團體與音樂家、製作人也是老師的Alberto Ricca/Bienoise（1985年出生於韋爾巴尼亞）合作，Alberto參與了《i》（2019年）、《ROCCO》（2019年）、《SPEEED》（2020年）被選為2022年La Vetrina della giovane danza d'autore 的項目、《be me》（2021年）獲得了ecce 歐洲創意經濟中心（德國埃森）的KreativCampus.Rhur駐村計劃。 Parini最新研究計畫「do-around-the-world/HIT」著重於跳繩和童年有趣的節拍，用以窺看女性自身成長過程中的文化和音樂元素。該計畫得到Anticorpi XL network的支持ER獎助金和ResiDance駐村課程，以及ERASMUS+計劃的支持。

Parini Secondo was born in 2017 from an idea by Sissj Bassani and Martina Piazzi, involving Camilla Neri and Francesca Pizzagalli.
The collective works on movement in a protean way, questioning the limits of authorship and up-to-dateism. With an ecological and ready-made act, the group remixes other people's ideas found online, assembling choreographies through sampling. Parini exploits and supports the potential of open source and DIY [do-it-yourself].
From 2019, the collective collaborated with Alberto Ricca, a teacher and electronic composer under the name Bienoise, involved in the projects “i”(2019), “ROCCO”(2019), “SPEEED”(2020), and “be me” (2021).

導引工作坊

Dowing Workshop

4/21，9:00-10:30

L 龍山文創基地－展演廳

　Longshan Culture & Creative Base -

　Exhibition Hall

導引工作坊是一次深入探索身心和諧之道的機會。導引源自於中國的傳統養生功法，通過呼吸、冥想和動作的結合，追求身心的平衡和和諧。無論您是初學者還是有經驗者，這個工作坊都將帶領您進入探索身心的世界。

The Dowing Workshop offers an opportunity for a deep exploration of the mind-body harmony. Rooted in traditional Chinese health practices, it combines breathwork, meditation, and movement to achieve balance and harmony. Whether you're a beginner or experienced, this workshop will guide you into the world of exploring the mind-body connection.

周章佞

現任自由舞者與舞蹈藝術講師堪稱一代舞者典範，媒體推崇為國寶級舞者周章佞，三歲開始習舞，1993年畢業於國立藝術學院舞蹈系(今國立台北藝術大學)，隨即加入雲門舞集。在雲門舞台馳騁26年，擔綱無數重要的演出角色，並出任排練指導。其中以林懷民經典舞作《白蛇傳》中的白蛇、《行草》中的永字八法和盤巾獨舞、《水月》獨舞等，令觀眾為之癡迷。
國際專業舞台演出超過1600場，遍及歐、美、亞及大洋洲各大舞蹈節，如紐約下一波藝術節、倫敦沙德勒之井劇院、法國里昂雙年國際舞蹈節、德國柏林穿越藝術節、德國德勒斯登國際藝術節、莫斯科契訶夫國際藝術節、華盛頓甘迺迪中心、雪梨2000奧林匹克藝術節、香港藝術節、新加坡華藝節、上海國際藝術節及日本東京……等地演出。其中《水月》和《行草》中的獨舞曾在聯合國教科文組織的「2013年國際舞蹈日」和美國舞蹈節、布拉格藝術節25週年匯演中，與國際舞蹈名家同台演出，獲得極高的讚譽。

＊美國德罕新聞與觀察家報舞評，認為她的《行草》獨舞讓人為之「神魂顛倒」。
＊德國南德日報舞評表示：「洋溢著貴婦人氣質的周章佞，無疑是當今舞壇上最傑出的舞者之一！」
＊新加坡早報讚譽：「爐火純青的演繹，體現了身、氣、靈的結合！」

2020-2021年應台中國家歌劇院邀請擔綱拍攝，【表演，chill 什麼？舞蹈篇】共12集教育短片、【輕鬆呼吸、身搖擺-居家伸展」藝術探索影片、及【高年級生的肢體優雅學/與歌劇院共舞】系列課程講師；國家兩廳院【以身書寫-周章佞的舞蹈體驗課】講師；金革音樂【金革講堂】經典系列名家講座;【50+學院 x 兩廳院樂齡計畫】動身安心工作坊講師。

2022-2023年榮獲北藝大傑出校友及受邀擔任【北藝大美感素養提升計畫】講師、艋舺國際舞蹈節評審。

Chang-ning Chou

Current Position:

Freelance Dancer and Dance Art Instructor

Renowned Dancer:
Widely acclaimed as a national treasure, Chang-ning Chou began her dance journey at the age of three. She graduated from Taipei National University of the Arts Dance Department in 1993 and immediately joined Cloud Gate Dance Theatre.

Cloud Gate Dance Theatre Career (1993-2019):
· Engaged in numerous significant roles and served as a rehearsal director during her 26-year tenure at Cloud Gate.

· Notable performances include iconic roles in Lin Hwai-min's classic works such as the White Snake in "The Tale of the White Serpent," the solo dance in "Cursive," and "Moon Water," captivating audiences.

International Performances (Over 1600 shows):
Participated in major dance festivals worldwide, including New York's Next Wave Festival, Sadler's Wells Theatre in London, Lyon Biennale Internationale de la Danse in France, Berlin Transart Festival in Germany, Kennedy Center in Washington, Sydney 2000 Olympic Arts Festival, Hong Kong Arts Festival, Singapore Arts Festival, Shanghai International Arts Festival, and Tokyo in Japan.

Notable Achievements:

Solo dances from "Moon Water" and "Wild Cursive" were featured in UNESCO's "International Dance Day" in 2013, the American Dance Festival, and the Prague Quadrennial 25th-anniversary performance, sharing the stage with international dance luminaries.

Critical Acclaim:
· Dehann News and Observer praised her solo dance in " Cursive," describing it as "bewitching."
· Süddeutsche Zeitung, a German newspaper, stated, "Chang-ning Chou exudes the aura of a noblewoman and is undoubtedly one of the most outstanding dancers in the dance scene today."
· The Straits Times in Singapore lauded her performance, saying, "Her interpretation is flawless, embodying the unity of body, energy, and spirit."

Educational and Artistic Contributions (2020-2021):
· Collaborated with the National Taichung Theater for the creation of 12 educational short films titled "Performance, Chill What? Dance Edition," artistic exploration videos like "Relaxed Breathing, Body Sway - Home Stretch," and various dance courses.
· Conducted workshops as a lecturer for the National Performing Arts Center, National Theater & Concert Hall, and Golden Music in Taiwan.

Recent Recognition and Engagements (2022-2023):
· Recognized as an Outstanding Alumna by Taipei National University of the Arts.
· Invited as a lecturer for the "Beauty Sensibility Enhancement Program" at Taipei National University of the Arts.
· Served as a judge for the Monga International Dance Festival.

VR 舞蹈體驗 VR Dance Experience

《See Through》

工作坊 WORKSHOPS

​情感之軀

The Emotional Body

Hyperspace

​我與我的身體對話

Me and My Body

節奏探索： 跳繩舞蹈工作坊

Listening to Jump Rope

​導引工作坊

Dowing Workshop

VR 舞蹈體驗
VR Dance Experience

工作坊
WORKSHOPS

情感之軀

我與我的身體對話

節奏探索：
跳繩舞蹈工作坊

導引工作坊