From a fragment of "Based on the True Events that Would Happen", within self-imposed constraints, movement will be influenced by the constraints of time and the weight of plastic boards. The body, engaged in labor, undergoes alterations in its actions. With cautious steps, it embarks on a reinvigorated challenge. Spreading out the orthopedic mats (Taiwanese would call it "Healthy Path" or "Road to the Heaven"), Within the repetitive back-and-forth trajectory, constant retracing is necessary to advance once more. The action of bending down to pick up objects becomes a recurring motion. Unfolding the object, also known as the Heaven Road, introduces two different subtle aspects. The path, which is commonly found in public spaces, evokes childhood experiences where stepping upon it was believed to be beneficial for physical well-being. The process involved a sensation of acidity and soft pain, akin to the sensory journey I personally undergo in the creative process. Simultaneously, the work is envisioned as an extended exploration in the realm of long-term creative research. The spatial arrangement incorporates objects previously utilized, reminiscent of a retrospective exhibition encapsulating the creative phases of recent years.